“Damn you, Cris! You’re supposed to be dead!” Richelle shrieked, hands shaking as she readied to fire the chrome silver round handgun at the kitchen door. The crashing of plates, glasses, and rending of metal had ceased. The creatures behind the door had just to thrash it to get through. The children, Richelle thought, somebody save my children. Anthony materialized by her side, clasping a shotgun, a drop of sweat slid down from his curly brown haired forehead. Still her finger tensed on the trigger, blood throbbed through her temples.
“They’re behind that door, aren’t they?” Anthony asked steadily.
“Impossible. Cris, infected, here.” She took a step toward the door. She held the knob and placed an ear on the surface of the dark wood.
“Rich, dammit!” Anthony snapped through clenched teeth.
“Is it Uncle Marty McFly, Daddy? Is this a surprise?” Anthony Jr. called from the bedroom. Dad rushed there to open a crack, said a few hushed and hurried words to the children, closed it, and trained the double barrel back at the door. Halogen lamps effulgently made reflections on their weapons’ metal skins.No sound. Richelle turned the knob, and kicked. Anthony shouldered the shotgun.
The window was gone. So was the pot roast on the counter top. Broken glass was everywhere. Tuffs of fur swayed in the night air, stuck on pointed, bent window bars. Gobbets of blood were on the algae green tiles, so red they looked black. The refrigerator was overturned.
“Did they come all the way here to just vandalize my kitchen?” Richelle said, irritated.
“Made away with the pot roast too, my favorite”, Anthony remarked, “Did the silver spook them? Can they smell the silver bullets?”
“Probably. Why else did they high-tail it?” she checked the street below. Several humans had milled around, pointing at the damage.
“Ready some mundane answers to freak show questions, Ant”, anticipated Richelle, “I hate reporters.”
“Oversized pit bulls with a taste for pot roast”, joked Anthony. The doorbell sounded.
“That was fast.”
“I’ll go check it”, Richelle raised her weapon, walking like a FBI agent across the living room. She peeked through the spy hole.
Mrs. Bourbon’s flame colored wavy wig and wrinkled smiling gray eyes were too familiar to her. She was the nearest kindest soul they new next door.
“Richelle, darling, is everything alright? I thought I heard some racket. Are you two lovebirds fighting?” Mrs. Bourbon’s Aunt of Peter Parker voice was almost too concerned. Richelle had a hand again on the knob.
“Ant, it’s just Mrs. Bourbon. We ought to show her we’re okay…” she turned the knob.
“Don’t!” Anthony cried, but his wife had already swung the door wide.
Mrs. Bourbon’s head was held by one seven foot standing fanged, pointy eared gape mouthed hellhound, with bristled fur so red it’s black. Flanked by two more black red giants. All six eyes glowed fired red, while the golden lamps of the corridors outlined their quill like body hair. The one holding the old woman’s head spoke in her voice, large jaws working preposterously.
“Hey, Richelle, my Love, and you. Anthony”, the thing snarled, “remember me, Cris?” It turned the head into a bowling ball, landing on the carpet with a thud and rolled toward Anthony.
The couple looked on a second too long.
“Fire!” Bullets sprayed the walls, but the monsters’ speed flew around them. Richelle was knocked out cold after being gored by one behemoth. The hound that called itself Cris was over Anthony’s prone body, one paw holding the bent gun, the other gripped his head like a vise with elongated fingers.
“You left me, Anthony”, its voice was a continuous growl, “and married my one and only college sweetheart.”
“W-we thought t-they were coming b-back, and y-you a g-goner.”
“You thought correct. We’re back. But now, you are the goner. We won’t eat you though. Rich’s pot roast was too good. So in this city of CSI and Grey’s Anatomy, you die naturally.”
“Hurry, brother, I hear the sirens coming.” It handed Cris a kitchen knife. Anthony fought against the hold, to no avail. The monster gave him the knife in the heart, and he was still.
“Vengeance paid.”
Cris reverted to human form, naked. He cradled Richelle’s body on his lap. Pack mates have become anthromorphic also, somehow producing black trenchcoats.
“Angelina Jolie doesn’t have a body like that. I reclaim you now, Richelle.”
“How about the children? Are they to be killed?” Cris stared at the bedroom door, where the kids breathed no sound. He bared his fangs.
“Eerrrhhhh. No. The humans will nurse them. They call it adoption”, he turned to her sleeping form, “See, Rich, we’re not animals. I will sire my own with you. We will be like we were before in college.”
Police arrived, finding the shocked children and the gruesome crime scene. Meanwhile, the fiends jumped from rooftop to another, hastening to their urban lair.
Richelle had come to, but feigned unconsciousness. She knew her infection by Cris would be inevitable. She knew also, with feral glee, that the females of every carnivorous specie on the planet proved to be more ferocious, predatory, and formidable than the males.
“Vengeance paid”, she thought, as the wind blew her hair like that of a lioness.
Crossroads by Bone, Thugs, n’ Harmony
{ June 28, 2007 @ 10:08 am } · { Behavior, Existentialist Poetry, Personal Notes, Philosophy, Poem Analysis, Poetry, Psychology, Social Commentary, death }
{ } · { Comments (10) }
Now tell me what you gonna do
When it ain’t no where to run (Tell me what)
When judgment comes for you (When judgement comes for you)
Tell me what you gonna do
When it ain’t no where to hide (Tell me what)
When judgement comes for you (‘Cause it’s gonna come for you)
Let’s all bring it in for Wally Eazy C’s Uncle Charlie
Little Boo see God’s got him
And I’m gonna miss everybody
I don’t roll with those I hate
Look to see where they lay
Don’t play with destiny plays too deep for people to say
Lil’ Lazie came to me
Told me if he should decease well then please
Bury me by my grand-grand
Anyway you can come follow me
God bless you workin’ on a plan to heaven
Follow the Lord all 24/7 days
God is who we praise even though the devil’s all up in my face
But he’s keeping me safe and in my place save grace
For the case to race with a chance to face the judge
And I’m bettin’ my soul won’t budge
Grudge because there’s no mercy for thugs
Oh what can I do It’s all about our family and how we roll
Can I get a witness let it unfold
We living our lives ’till eternal our souls
Ay-oh-ay-oh
Hey and we pray and we pray
And we pray and we pray
Every day every day every day every day
Hey and we pray we pray and we pray and we pray
Still we lay still we lay
Now follow me roll stroll
Where there is tell of this heaven
Come let’s go take a visit people that’s long gone
Darris, Wally, Eazy, Terry, Boo
It’s already creepin’ up on the family
Exactly how many days we got lastin’ while you laughin’
We’re passin’ passin’ away
So y’all wastin’ y’all souls
‘Cause I know I’m a meet you up at the crossroads
Y’all know ya’ll forever got love from them Bone Thugs baby
Lil’ Eazy’s gone gone
Really wish he could come home home
But when it’s time to die gotta go bye-bye
All a little thug could do was cry cry
Why they kill my dog damn
Man I mis my Uncle Charles y’all
And he shouldn’t be gone in front of his home
What they did to Boo was wrong oh so wrong
Gotta hold on gotta stay strong
When the day comes better believe Bone gotta show you can lean on
Hey and we pray and we pray and we pray and we pray
Every day every day every day every day
And we pray and we pray and we pray and we pray
Every day every day every day every day
CHORUS
See you at the crossroads crossroads crossroads
(So you won’t be lonely)
See you at the crossroads crossroads crossroads
(So you won’t be lonely)
REPEAT CHORUS
And I’m gonna miss everybody
And I’m gonna miss everybody
That’s long gone
And I’m gonna miss everybody
And I’m gonna miss everybody
And I’m gonna miss everybody
That’s long gone
And I’m gonna miss everybody
Livin’ in a hateful world (Sending me straight to heaven)
That’s how we roll
Livin’ in a hateful world (Sending me straight to heaven)
That’s how we roll
Livin’ in a hateful world (Sending me straight to heaven)
That’s how we roll
And I’m askin’ the good Lord why it’s I he told me we live to die
What’s with that murder ya’ll
See my little cousin was hung
Somebody was really wrong
Everybody wanted to touch the star
Then Miss Sleazy set up Eazy to fall
You know while we sayin’
That he intends on ending it when it ends
He’s gonna come again and again
So tell me what you gonna do
Can somebody anybody tell me why hey
Can somebody andybody tell me why
We die we die I don’t wanna die
REPEAT CHORUS TO FADE
I admire that Bone, Thugs, n’ Harmony took rap to a really poetic, profound and existential turn with this song, Crossroads. Once in a while, it’s good to reminded how mortal we are, and coupled with superb oral wordsmithing by this talented rap group of the 90’s, it’s timely. Notice how poignant they recalled loved ones passing away, some violently. And the hope that the song engenders, despite memento mori, with the chorus. I am quite proud of my generation that had heard this song in its decade, where the self-denial of many behind the pretensions of hedonism and social indifference grounded some egos to the inevitability of death, whose stark truth makes one view life clearly.
We have to love now, or our chance will be gone forever.